Friday, November 7, 2008

Jeff Wall





Bio
  • Canadian artist Jeff Wall was born in Vancouver in 1946. He received his B.A. degree from the University of British Columbia in Vancouver in 1968 and his M.A. degree from the same institution in 1970. From 1970-1973, Wall studied art history at the Courtauld Institute in London. He was an Associate Professor at the Center for the Arts, Simon Fraser University, Vancouver,1976-1987. He received the Hasselblad Award in 2002.


About his work
  • "His photographs are often carefully staged like a scene in a film, with full control of all details. Their composition is always well thought through, and often borrows from classical painters like Edouard Manet. Many of his images are large (typically 2x2 meters) transparencies placed in back-lit boxes; Wall says he got the idea during a bus trip between Spain and London where he saw large back-lit advertisements at bus stops. The themes are social and political, such as urban violence, racism, poverty, gender and class conflicts.A typical image of Jeff Wall is Mimic from 1982. It is a colour transparency, 198 cm by 229 cm. In it, we see three people, a couple and a man, walking towards the camera on a side walk. The street looks like a suburb in a North American town, residential area mixed with light industry. The couple, to the right in the picture, is white, and the single man to the left is of asian origin. The woman is wearing red shorts and a white top displaying her bellybutton. Her boyfriend (I assume, he's holding her hand) is wearing a denim vest, has a full beard and unkempt hair; they give the impression of working class. The asian man is dressed smarter, with a collared shirt; he gives impression of being middle class. The two men exchange glances. The asian man has his head pointing forward but his eyes look hard left at the couple. The white man has turned his head toward the other man, chin a bit down, looking straight at the Asian, right hand clenched to a fist with the middle extended, pointing to his eye."

Jeff Wall

New




“As I hold the future well-being of photography very dear I must see to it that these forces which militate against it be opposed and destroyed.” - Alfred Stieglitz

"This Year’s Models: Searching for Fresh Approaches in Photography"
New York Times
By MARTHA SCHWENDENER
Published: November 26, 2007

This article is about a show called "New Photography 2007" at the MoMa where contemporary photographers are expressing their interests in the ideas and methods of photographers such as Eadweard Muybridge, Alfred Stieglitz, and Clarence White.  The article describes the "new photography" as recycling, and somewhat of a let down.  These emerging photographers are expected to show something new and fresh, and the closest they see to new is from the work of  Tanyth Berkeley, whos images which involve a lot of "social engineering."  Among other photographers mentioned were Scott McFarland who worked with Jeff Wall, coincidentally his work follows his same methods.

Saturday, November 1, 2008

Philip-Lorca diCorcia






Biography

1951 Born in Hartford, Connecticut, USA
1975 School of the Museum of Fine Arts, Boston, Diploma
1976 School of the Museum of Fine Arts, Boston, Post Graduate Certificate
1979 Yale University, New Haven, M.F.A.
*Currently lives and works in New York

Recent Exhibitions

2008 ‘Philip-Lorca diCorcia’, Los Angeles County Museum of Art, Los Angeles, California, USA. (solo)
2008 ‘Photographie : détrônera la peinture’, Musée de la photographie, Chalonsur-Saône, France (solo)
2008 Baby. De ideale mens verbeeld 1840- heden, Nederlands Fotomuseum, Rotterdam
2008 diCorcia - Epstein - Shore, Galerie Rodolphe Janssen, Brussels

"diCorcia alternates between informal snapshots and iconic quality staged compositions that often have a baroque theatricality.[2] Using a carefully planned staging, he takes everyday occurrences beyond the realm of banality, trying to inspire in his picture's spectators an awareness of the psychology and emotion contained in real-life situations.[3] His work could be described as documentary photography mixed with the fictional world of cinema and advertising, which creates a powerful link between reality, fantasy and desire.[4" -source: Wikipedia
.. More


Friday, October 31, 2008

Twilight


A state of ambiguity or obscurity.

"Twilight: Photography in the Magic Hour, is not about photography at twilight, but rather about photography of twilight, of the moods that have come to be associated with the liminal moment between day and night. "- Leo Hsu

www.foto8.com

This short article informs its readers of the book, as well as exhibit curated by Martin Barnes and Kate Best - Twilight:  Photography in the Magic Hour.  It includes the works of 8 photographers with an effort to describe the cultural resonance of twilight as evidenced in recent photography.  Bringing together these works with suggestions of twilight informs the narrative tone of the pictures. "This task is easier said than done, not least because twilight, while evocative, nonetheless evokes many different ideas and feelings. However, the effect of the book is powerful and provocative due to an interesting argument supported by exceptional photography, and excellent supporting essays."  Within my work I am trying to incorporate a twilight-esque aesthetic by making each photograph in a state where you cannot differentiate day and night.  As described by Hsu, working in this way creates more of a story, with underlying feelings of emotion and  power.  

Garth Johnson Lecture





"Garth Johnson is an unorthodox ceramicist, part-time teacher, dandy, and proprietor of the beloved blog Extreme Craft."

Garth Johnson works in sculpture, but is also the creator of the website extremecraft.com. His site includes artists from all over the internet world who submit their obsessive crafting projects. Ranging from lego building to wood working. His aim is to find the strangest crafting techniques and compile them onto his database. He was an interesting a quirky guy. I thought it was highly interesting how he explained his background, coming from generations of family extreme crafters. He encouraged the students to submit their pieces as well, which was nice.

Saturday, October 25, 2008

Edward Burtynsky





Bio/ About his Work
  • Born in 1955 of Ukrainian heritage at St. Catharines, Ontario
  • Burtynsky is a graduate of Ryerson University (Bachelor of Applied Arts in Photography) and Niagara College (Graphic Art). 
  • "He links his early exposure to the sites and images of the General Motors plant in his hometown to the development of his photographic work. Edward Burtynsky's imagery explores the intricate connection between industry and nature; combining the raw elements of mining, quarrying, manufacturing, shipping, oil production and recycling into eloquent, highly expressive visions that find beauty and humanity in the most unlikely of places. 
  • In 1985, Burtynsky also founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging and new media computer-training centre catering to all levels of Toronto's art community. 
  • On the board of directors for Toronto’s international photography festival
  • Edward Burtynsky is represented by: Nicholas Metivier Gallery in Toronto, Paul Kuhn Gallery in Calgary, Art 45 in Montreal, Charles Cowles Gallery in New York, Robert Koch Gallery in San Francisco, Flowers East in London, Galeria Toni Tapies in Barcelona and Galerie Stefan Röpke in Köln. His prints are housed in public, corporate and private collections worldwide.
  • "Celebrated Canadian photographer Edward Burtynsky reviewed his 20-year career. His large-scale photographs of sites in the United States, Canada, Italy, Bangladesh, India and China are challenging. While they depict the degradation of nature due to quarrying, mining, railcutting, recycling, oil refining and ship breaking, they convey a sense of awe and beauty thus provoking a new awareness of the landscape of our time."

Website
Koch Gallery

Interview

Friday, October 24, 2008

Ethereal


“Art seems to me to be a state of soul more than anything else.” -Marc Chagall

Ethereal presences in holography and photography
Proc. SPIE, Vol. 6488, 64880M (2007); DOI:10.1117/12.726143
Online Publication Date: 20 February 2007
Conference Date: Sunday 21 January 2007
Conference Location: San Jose, CA, USA
Conference Title: Practical Holography XXI: Materials and Applications
Conference Chairs: Roger A. Lessard, Hans I. Bjelkhagen

This paper is about the ideas of creating 'Presence of Absence' in post-mortem photography and holography, from both historical and lesser-known images as a reference. It describes that death can bean elegant yet horrific aesthetic, the photograph may be beautify screened and yet obscene in its content. "In essence one can be a voyeur, experiencing a mere visual whisper of the true nature of the subject." It is stated that within contemporary photography, death is now presented as a sensual, and at times, a sensationalised art form. In exploring post-mortem imagery, both in holography and conventional photography, absence presents an aspect of death as startling in its unanimated form and detailed in its finite examination of mortality.

Even though my photographs are not dealing with the post-mortem in any way, the basic idea is still the same. The fact that with this absence of life, still created are feelings of unexplainable divinity, and in a way we are adding life to the lifeless. This goes along with my concept of allowing nature to take over run down, essentially lifeless areas. I want to create a feeling of life presence through organic elements.